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August, 2012 Monthly archive

Composer’s Garden

Tonight, 10 pm the first stretch of the Composer’s Garden will be broadcast. The CG combines (usually) an interview with one of our open call artists with a selection of his or her works. For the remaining time, 1-3 other artists will be introduced. For the moment, we are preparing this first broadcast. So, images and links will be added later on.

Features artists today are: Dirk Huelstrunk (with interview), Etienne Noiseau, Sirpa Jokinen and Felix Schroeder.

The CG is also connected by it’s feel and content to the nightloop of the same night, in this case: Into the Forest.

Due to a breakdown of electricity last night (you might have noticed it) we decided to replay the whole loop which was also scheduled for last night. A new opportunity to take a walk into the forest of sounds!

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Composer’s Nightloops #2: Into the Forest

 

 

 

 

 

 

 

Into the Forest 

“Into the Forest” assembles “forresty” recordings and compositions. Meadows, trees, roses, literary stuff and soundwalks… For this one, I included some snippets from the internet. The playlist is unadorned. Titles (some of these are still working titles) will be corrected.

with Daniel Blinkhorn, DinahBird, Dirk Hülstrunk, Els Viaene, Etienne Noiseau, Michael Gatonska, Alexander Baker, Heidrun Schramm, Jorge Luis Borges, Lasse-Marc Riek, Mark Matthes, Norinen,  Patrick Franke, RawAudio,  Sirpa Jokinen, Terry Riley, William Engelen, hark, rawaudio/Fx Schroder.

A sort-of-focus is put on field recording, but then again, there are no rules. Atmospheres maybe.

playlist_forest

 

 

 

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Der dritte Tag

 

 

 

 

 

 

 

Karlheinz Jeron interviewed by Verena Kuni, ca. 1 pm.: Fresh music for rotten vegetables/fruits

Incredible line-up of events today (see below)!
Apart from that there were talks about spiders, aliens and seed patents, electrified apples and walnuts, the weather changing from sun, wind and rain to wind, rain and sun, families visiting, Elvis singing, zucchini killing, apple cake and conversations about more art and music, vegetable recipes and  a children radio play. reboot.fm started with a live stream of Tetsuo Kogawa from Tokyo. For this, please view the previous post.

Late at night, internet broke down. The broadcast of the first nightloop from the series “Composer’s Nightloops”, titled “Into the forest” is therefore slightly delayed.

 

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Bio Patents, or: Who owns the World? | Biopatente, oder: Wen gehört die Welt?

My plants, your plants – plants for everybody? You must be joking! Sure it may be well debatable if life should be claimable as property or rather not. However, when it comes to plants and their seeds, it seems like the answer is already given. The quality of seeds and breeds is decisive for harvest and gains – thus also for the market and trade value of whatever you grow in your gardens and on your acres. Consequently, the formula for a promising breed is in high demand. Not just since the first biological patents have been claimed. Yet – after being tested first in the reign of microorganisms – biological patents have made a stellar carreer in times of advanced bio-technologies, and lab genetics have finally directed the attention towards the “formulae of life”. With considerably severe consequences for every body involved…

Good reasons for Datscha-Radio to take a closer look at this field. Our guest in the winter garden studio: Vali Djordjevic von i.rights, who talks together with Diana McCarty and Verena Kuni about possible parallels, correspondences and notable differences between the current debates about bio-patents and about copyright, immaterial goods, and commons in the datasphere.

[Picture: Grown on communal ground, in this very case Rosenthal’s Hauptstrasse (main street). Hordeum. But which one? The location is usually the habitat for Hordeum murinum. However, what if it’s the edible grain that has migrated here from the fields nearby? – VK cc-by-nc-sa] Read More

There has been talks about the new german style in gardening, besides prairie gardening, recreating a desert hortensic culture in a middle european climate , the zen stone garden is very much “in style”. the concept of location and place in japanese culture has been philosophized by the Heidegger scholar Kitaro Nishida, i have been asked Tetsuo Kogawa to interprete his relevance for mini fm broadcasting projects such as Datscharadio, which happens in a east german garden turned into a artist run garden.

In an email conversation from 9/19/08 Tetsuo Kogawa wrote:

>>Rethinking about Nishida: Every text has possibilities to think it further, think it over the original, and even to misunderstand. As you know, Nishida’s “basho” is his notion on his metaphysics. He tried to connect his metaphysics with some ideas of Zen (especially of Taisetsu Suzuki—he is much more interesting than Nishida and also influenced John Cage) and Japanese Buddhism. But I have to say that as long as you read Nishida’s Japanese texts they are written very esoterically. This is very different from Heidegger. As Erasmus Schoefer (Die Sprache Heideggers) brilliantly argued, Heidegger’s language is ‘logical’ (in Husserl’s term it should be in “transcendental logic” not “formal logic” though). Nishida is not like this. His texts are pretentious. Also, there is a problem of Japanese language. It is totally different from German. Basically it is ambiguous. In this sense, the translation is only one interpretation of his text.

Also, you are talking about quite concrete topics of radio and the internet. Nishida certainly argues about techniques but he was totally deaf about what’s happening in the technology today. He was a man of old idealism. You could reinterpret him but for a reader who reads his texts in Japanese, every reinterpretation over the translation is misunderstanding. By the way, Haruki Murakami becomes an international novelist due to the “mistranslation”:)

Semiologically, you can use his texts freely. In fact, many new ideas derived from a kind of mistranslation from Greek texts of the philosophers.

On his political commitment to the Japanese right-wing, he had no sense of politics. Again, this is very different from Heidegger who was so cunning that he quickly gave up his commitment to the Nazi party when he realized what it was. Adorno doubts his “Kehre” but it would be true that he had a sense of politics.<<

Mistranslation might be indeed the source of many hortensic adaptions in ongoing gardening trends.

Tetsuo Kogawa is a pioneer in D.I.Y. micro fm movement, using micro fm transmitters as artistic musical instruments with his live performances and  building of radio transmitters in workshops, his open hardware circuits have been built all over the world to make analogue micro radio a form of art.

he has suggested:

>> I am now thinking that in order to keep the minimal interactivity I will pick up some of the pictures of the garden (flowers and trees) and convert  them to the sounds. These sounds will be automatically broadcast to the net  that you will use for your program.<<

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Fresh Music for Rotten Vegetables Fruit by and with Karl Heinz Jeron

Fallen fruit on Datscha-Radio garden’s grounds. Should we dump them in the composter? Good idea – but today we’ve got a better one. For each rotting apple, each worm-bitten plum has hidden talents. Musical talents indeed! And Karl Heinz Jeron will show us how to bring these talents on stage.

Obviously, his project “Fresh Music For Rotten Vegetables” has been conceived for the urban buy’n’throwaway society rather than for a garden: Those who participate in one of his Fresh Music workshops will first of all be sent to the supermarket to get some veggies. However, not to buy them. Instead, they have to ask for those greens that have been sorted out already because they seem not attractrive enough anymore to be sold – while, as we should add, usually still consumable and ready-to-become part of a delicious meal. Yet in this case, they will come up with an even better talent…

Thus, hush hush to the next deli, to the market or the nice little restaurant round the corner. Or ask your neighbour. Or would it make sense to take a look in your own kitchen? Well: To re-think your own practice is nice – talk to others about the sad fate of despised nutrition carriers is even better. Who knows, perhaps they’ll join us for what’s next.

For the Datscha-Radio garden, however – with all its wonderfull trees full of plums and apples and all the beds overloaded with fresh veggies providing rich vitamin meals for all of us every day, so bringing whatever kind of foreign fruit to the garden would seem ridiculous – we’ll have to adapt the concept. We’ll ask the neightbours for fallen fruit. And we’ll also collect some in the Datscha garden. Fruit, for at least today rotting veggies are not available – look at the grand zucchini Ms. Schaffnerin found instead! Yes, this will go to the kitchen later and become part of a delicious dinner. What a pity: No rotten parts, no music (ok, it would work with fresh fruit as well – but that’d be not fresh music for rotten veggies, right?).

Ready to start? We are. For apart from the fruit, Karl Heinz Jeron has brought everything to garden we’ll need. And now he’ll show everybody who always wanted to measure up with the First Vienna Vegetable Orchestra launch a juicy fruit band how it works…

While Karl Heinz is cutting apples, placing plums and other pieces people have brought to the garden table, putting a zinc and a copper rod into each of the fruit, then wiring them and connecting everything with speakers and other stuff, we’re posing curious questions: What is this good for? Why that? What if… ah, and what will be the results? But hey, we can already listen to the latter. Indeed, these fruit are extraordinary talented! They are generating sounds!

However, for sure not because the maggots have started to sing. But because the fruit are feeding the circuit with energy (that’s what fruit are supposed to do, also when consumed by humanimals, right?): Each fruit has become a battery – a principly we should remember from school lessons, yes: the good old lemon battery (yet Karl Heinz can confirm that potatoes work even better).

Put in parallel and connected in series, step by step our fruit battery is growing to a symphony orchestra. Indeed, meanwhile the sounds have become louder, and the composition has become quite articulate and rich. Thus we finish our talk about the idea of punk (see the title of the piece, an hommage to the Dead Kennedys and their legendary first album, “Fresh Fruit for Rotting Vegetables” – to which the Datscha-Radio version fits even better), about post-industrial (for we’ve not played Dead Kennedys, but a piece by Throbbing Gristle as the intro for the show), about aleatorics, chance music and John Cage (a curious cook himself and thus perfectly fitting into our table talk), about DIY, recycling, batteries and rotting data, hardware, software – and clear the stage for the orchestra.

Well, also fruit batteries have to die. In our case, it’s the perfect moment – right when we have to close the show. And while the next programme is starting, Karl Heinz is switching to the kitchen – creating from Ms Schaffnerin’s giant zucchini an absolutely declicious dinner for us. (Yes, he is a talented cook – we should have known that anyway from some of his earlier projects. But now our stomach knows as well…)

Great many thanks to Karl Heinz Jeron for his radiophonic live workshop on “Fresh Music for Rotten Vegetables Fruit”, the table talk – and the delicious zucchini dinner in the Datscha-Radio garden.

Karl Heinz Jeron is an artist living and working in Berlin. Find out more about “Fresh Music For Rotten Vegetables” and his other projects by visiting his hompage.

[Pictures: Only five from presumably more than hundred (yes, we’re serious) – that will need another time to be sorted, formatted and uploaded to a forthcoming gallery (thx for your patience) – VK cc-by-nc-sa] Read More

The Giant’s Gardens | Die Gärten der Riesen

In the giants’ gardens is growing another time. A time of which we do not know. As probably men never will. For sure not those who claim them for their own…

A sound walk through (in)visble gardens, along the fences and walls hiding the giants’ gardens.

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Rosengartenträume | Rose Garden Dreams

Night has fallen over the garden. The Datscha is nested in silence. The garden is sleeping. And the roses begin to dream.
Yet, our antennas are still receiving signals and we’re listening out to the frequencies drowning through the dark. Seems like there is some susurrration. Is it the long forgotten fragrance of the wild rose, mingling with all those odours that have been carried away over the day by the busy bees? Indeed, they left those of the rose garden: knowing well about the poisonous scents of the hybrids’ blossoms. Rose is a rose. But not every rose is a rose or not.
EWe are a sign, meaningless / We are painless and have almost / Forgotten speech in exile… Heavy are the dreams of roses and at the same time light. We’ll steal an hour from the night, for we want to share them.
Rose garden dreams with Hölderlin, Gertrud Stein, Chinese folk tales, Matmos and Wittgenstein.
No, we’ve never promised you a rose garden…

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