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La Casa de la miel has been in the hands of his family ever since the shop was founded in 1946, its owner, Pedro Pajuelo, says. We are standing in front of the counter, a black board next to the door shows the different kinds of honeys sold here, a shiny bin with a giant bee printed on it decorate the counter as well as an old-fashioned scale made from white enamel.


Two other men work here, one of them dusts the shelfs with the honey glasses with a feather mop, the other walks to and fro between the back rooms and the counter. An old lady enters and asks for a bag of bean seeds.

La Casa de la Miel does not only sell honeys from different regions of Spain, but also vegetable and flower seeds, teas, herbs, pimiento and other spices, cosmetics made from honey and pollen (the best quality is stored in a fridge in the corner). There are also little boxes with violet sweets in them in the color of violets! A speciality of Madrid, Pedro explains.

 

But of course, we talk about honey, its origins, how prices rise with the decrease in production because of the bee pests. If the bees die, we’ll have nothing to eat after no time, Pedro says, maybe five years, no more.

The conversation is in Spanish, I ask and Alberto assists with translation. 300 words in Spanish seem to equal 30 in English. I understand fragments and then, at times, I have no clue. Yet, this recording is for Datscha Radio Madrid, and almost a third of the world’s population speaks Spanish anyway :)

It is a rule with interviews that when the moment comes you think it is finished, the real info are preisgegeben. He hands us both a jar of honey com regalo, I present my flyers with the Adopt a Plant  happening this Saturday and upon this information Pedro reveals himself as being a gardener too.
“Realmente me gustan las plantas. Come come…“
Alberto and I get invited to follow him to the store rooms in the back of the shops where huge barrels of honey sit on a tiled floor and a machine to knead the honey to a more fluid consistency dominates the room. We enter the patio of the house which belongs to the few still in their original architecture existing ones in Madrid: made of wood and stone but with a metal skeleton inside.

In the patio plants are lined up, lush green leaves, palm like. An „Indian plant“ was saved here from being thrown away. This is also the habitat of an ex-Christmas tree which seemingly thrives at his now home. And there is still another patio filled with Trandesceana, begonias and “bad mothers”. So there’s a secret gardener! Pedro explains that he likes to pick up the remnants or off shoots from neighbors plants falling into the yard. He gives them a new home and cares for them.

Then one of his shop attendants calls out about an important customer having just arrived, and we say goodbye and step out of the House of Honey into Atocha Street.

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Another quick diary of these days in the wonderland of Datscha Radio preparations. You’ll find an introduction of the (steadily growing) team here.

12. March

9:00 Coffee & mails. Agreement to meet Señora Bellet of the Botanic Garden to talk about its history and activities.

10:45 Printing out flyers and posters for the „Adopta-una-Planta“ event.

Flyer für diesen Samstag, 17. März

12:45 Leaving the building I run into kta and Joaquien who are on their way to one of the labs to set up a plant&soil sensory system.

13:00 A cat guards the security entrance of the garden. I gain admittance… a consistent minor problem: The guard needs my social security number to fill in the admittance form. The usual solution: present my visa card. By now the guards know me quite well, while the sequence of my multiple visits and mailings has made me think of the Botanic Garden offices as a kafkaesque „castle“.

On entering the offices i notice that the amanita has changed place.

 

Señora Maria Pellet receives me in her office. She’s very friendly and even speaks German. But we agree to do the interview in English. Afterward we go to the Bonsai section and take a pic.

13:15 Catching up with kta and Joaquim. A soft frequency hum permeates the air, there are plants, an arduino, micro sensors measuring the moisture in the pots, a dead deco cabbage plant, a very healthy looking aloe and a pot of the „bad mother plant“. We agree that „Grünlilie“ (German common name) is a nice word for it. Interview.

16:30 Editing the interview (too big to upload here, you’ll find it soon in the archive)

17:30 Meeting Jesús in the offices to discuss how to program an info video onto the wall of the Medialab. He’s just taking his exams… parallel to all the work with Medialab and Datscha Radio!

18:00 Datscha Radio artist’s meeting at the cantina. Romi Casile has finally arrived from Argentina. Although she has to leave already on the 16th, she likes to participate. Apart from working with sound objects, her grandmother knows how to sing songs about flowers and gardens. This is interesting!

18:45 The beer is a bit too expensive for a longer stay so we move upstairs to my „living room“. Maite, coordinator of IN-SONORA comes. Alberto and kta work on the translation of the jingle text into Spanish while I do a quick talk with Romi in my room.

19:15 We have a lot of fun speaking the jingle text. The artists and Maite talk me into recording it in Spanish. They say it sounds charming (but maybe it is just funny?)

We have an exchange about listening practices, art and society, the role of artists, money issues in artist lives and again about the importance of listening.
The most inspiring evening closes with a sip of duty free whiskey.

21:15
Rough editing of the recordings. Playing with some acoustic sketches :)

23:30 Relaxing with another rose plant website…

13. March

10:00 (!) Meeting up with Alberto as a translator to visit the „House of Honey“ in the Atocha street. Interview. Pedro warms up to our questions and in the end we get shown even the store rooms, the honey „mixing machine“ (of course it is not mixed but pure), and finally, as the talk turns to plants, the flowers and trees, Pedro himself rescues from offshoots or leaves falling „from the sky“ —

More of this in the next blog entry…

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Atomic gardens, plant radio, argentinian flower songs: we are preparing for the Esta Es Una Plaza on the 23rd!: Alberto, kta, Maite e Romi.

For more than two weeks we have met, talked, spent time with each other, exchanged ideas, mails and sounds. I am happy, grateful and proud to say that Datscha Radio Madrid is making fast progress on all levels! I’d like to introduce the artists of the team and “the plan” here; the jingle is on it’s way too:)

Gabi Schaffner
Sound and Radio artist. Artistic director Datscha Radio www.datscharadio.de; www.rawaudio.de

Alberto García Aznar
Alberto develops his individual artistic work in the fields of sound art, fanzine, artist’s books and performance. Contributing artist in numerous collectives and events: Proyecto Equipo, Rayos Uva collective, Grupal Crew Collective, Indisciplinadas, SomosNosotros… He also works as sound technician at Radio Círculo (Círculo de Bellas Artes de Madrid).

https://albertogarciaaznar.bandcamp.com
https://issuu.com/albertogarciaaznar

Anna Katarina Martin
Conceptual artist. Works with: sound/video/instalation/performance/interactive and so on.  Together with artist and programmer Joaquin Diaz she’ll compose a Sensory Plant Communication Soundscape for our upcoming garden radio event.
https://annakatarinamartin.com

Eva Pilarte aka Eva Kurly
International performer;  gardener and environmental monitor; different colaborations in radio stations; component of experimental music duo ¨ el atico de los sueños¨, Pamito guitars endosers

https://kurlymusik.wixsite.com/elaticodelossuenhos
https://vimeo.com/evakurly

External Contributors:

Mahlet Ogbe Habte 
Sound installation and video artist. Born in Eritrea, she lives and works in Norway.  Among other places, she has exhibited at Heimat, Museo Revoltella, Trieste Italy, World Expo Japan Tokyo, and Bergen Group Exhibition at USF verftet. Additionally, she is a professional chef.

www.mahlet.no

Romina Casile
Artist from Argentinia, works with sound objects and field recordings.
https://issuu.com/rominacasile

Coordination: Jesús Jara, Maite Camacho
http://medialab-prado.es/
https://www.medialab-prado.es/en/activities/residency-sonora-10

Location: Esta Es Una Plaza, Calle Doctor Fourquet 24, Madrid

 

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Here’s a very quick update on what is happening in Madrid with Datscha Radio – and an diary of how I spent my day so far.

9:20
Call from Carolina from Radio Hortelana to say that we meet in a different place at 10:45. I’m at my first coffee and not fully awake. Writing quick mail to the collaborating artists (which will be introduced here asap) about next plans, ideas & meeting.

10:45
Walking very fast up to the Casa Endencida to meet Elena and Caroline from Radio Hortelana. Introductions, coffee, explaining Datscha Radio Madrid.

The plan: Setting up the radio station in the urban garden of Esta es Una Plaza. Date: Friday 23rd of March. Before that: Adopt-a-Office on the 17th in the yard of MediaLab, little performance by myself, conversations about plants that seek a new home.
Question: Is there electricity in the garden?

I am very happy that Radio Hortelana (who did a garden broadcast at Esta es Una Plaza some years ago!) will help with the project! We agree that I send a resume of all facts to Elena, Caroline and the Insonora network tonight.

11:15
Introduction to Daniel Sigler, who had been sitting next to us reading El Pais, a friend of both, a gardener, keeper of the garden “Cabaña de Retiro”. He loves the idea.

12:00
We all go to Esta es Una Plaza to find out about electricity.

Caroline Carrubba (Radio Hortelana), Luis Elorriaga (Esta es Una Plaza), Elena Arroyo (Radio Hortelana) and Daniel Sigler (La Cabaña de Retiro)!

Caroline Carrubba (Radio Hortelana), Luis Elorriaga (Esta es Una Plaza), Elena Arroyo (Radio Hortelana) and Daniel Sigler (La Cabaña de Retiro)!

I get introduced to Tommi (Carolina: “He’s the best”) who would help with technical things, and to Luis who explaines that there is solar powered electricity. He shows us the transformer and the plugs in the different places in the garden. I update my Spanish vocabulary with the word grabadora (Recorder). I get introduced to more helpful people.

The home of electricity in Esta es Una Plaza!

12:45
Leaving the Plaza to go to the agricultural market in the Retiro Park. Stormy weather. I walk with Daniel who tells me about his garden project there. He also tells me about his work as a shiatsu practitioner and that he can do throat singing. I love the idea.

13:00
On reaching the Retiro I decide to switch on the grabadora, our conversation is just too interesting. There is the recorder, rain and Daniel’s umbrella. I don’t carry one for diverse reasons, but he says it’s because i am German.

We reach his „garden within the garden“ called Aula de ecología: La Cabaña del Retiro. He shows me around (gallery and more about La Cabaña in a later post). There is a hand made wooden geodetic tent with cut-outs that let the sun shine in and make pattern on the floor. It is a good place for singing, also because of its special resonant qualities.

All handmade from wood, a house for contemplation

Daniel asks me to close my eyes and starts singing. I sit on the wooden trunk in the middle of the space, listen and record. (Recording of audio walk and singing: to be broadcast on 23rd:) )

13:45
Salad needs to get picked to bring to the market. I receive a selection of healthy greens and explain the German onomatopoetics of „Pflücksalat“.

14:00
Walk to the Mercado Agroecológico en el CIEA Huerto del Retiro that takes place in another garden (section) of the Retiro: Stalls with honey, cheese, biologically brewed beers, jams and quiche. I am hungry and need to eat, try and buy specialities.

 

 

Agricultural market in El Retiro at closing time

 

Happy plots at the Retiro Garden

14:30
Introduction of Alberto, head of the Huerto del Retiro. Agreement to do an interview via Daniel as a translator. Saying goodbye for this time. Tasting a lovely bio Weizenbier! Taking some pics, among them the map of urban gardens in Madrid. What you see here is just a quarter of it.

14:45
Return to Medialab through rainstorms. Making a mental note to maybe take pictures of Madrid dogs that wear raincoats.

15:10
Arrival at Medialab, switching on the heater, sitting down to write this.

… so far. All dates and times mentioned will be verified very soon as exta blog posts, Facebook events and other possible channels.

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7.3.2018 Today’s excursion to the periphery of Madrid brought on a flood of images and sounds. The aim was to visit Parque Capriche while obstinately ignoring the note „closed today“ on my phone.
Leaving the metro at Capriche (instead of the advised station of Cnajallmos) I directed my steps to the close-by grove of cypresses, gravel paths leading past unkempt lawns when I eyes caught sight of a typical enclosure with a vertraut sign reading: Huerto Allameda de Osuna.
A friedly looking couple stood conversing in front of a compact rusty shed, plots aligned the paths, buckets and wheelbarrows in a corner: Clearly this was another of Madrids happy urban gardens. (A detailed entry follows.)

After leaving the huerto I continued in vague direction of the Parque Capriche sign. Julia and Floren also had asserted that this garden wouldn’t open its doors before Saturday.

The area was already park-like: strewn with cypresses, trees with an abundance of cream-coloured berries (Medlar? Mulberry?), dog walkers, blue sky, sun. To my right a wall covered in graffitis. To my left beige brick apparent houses loomed next to more beige brick apparent houses. Council houses? Condos (Hardly)?

I followed the winding display of murals in the shadow of the wall. Used paper towels, plastic bottles, packagings, decorated the lawn: urban nature par excellence. On my phone, the blue spot indicating my position kept on hovering in the pathless green, creating the surreal feeling of somehow having been shrunk to half my size with distances doubled… Maybe this was because I felt the need to visit an aseo.

More images of the wonder wall on Facebook.

The closed gate of the Parque Capriche did not offer more to see than an impressive stretch of gravel leading up to an entrance building flanked by – no surprise – platanes. The murals had ended at a motorway crossing. There was an aqueduct in sight with trains running on it. On the other side of the street a spotless white wall opened up into a patio, and a friendly restaurant sign declared this to be the „Camping Osuna“.

Una tortilla, una cerveza, un cafe, muy bien!

Parque Juan Carlos: Thank you for not being neoclassical!!! Thank you for offering a place in space under a sky that sheds its blue-and-golden light onto industrial beauties, utilitarian architectures, the most aesthetically designed Staudamm I have ever seen, Mexican monuments, olive and juniper groves, futuristic playgrounds, grand alleys with – surprise! – not absolutely symmetrically arranged shrubs/trees. Thank you for emptiness!

(Detailed entry follows.)

Best of all: The Grey Maze! Undoubtedly the home of countless happy rabbits (I saw only two -huge!- ones, but it was afternoon not evening). Parrots cut through the air, screeching, but still in a civilized manner compared to their relatives in Australia. Tiny birds twitter on twigs. Youngsters practice Kajak polo, a sport I never heard of before.
A twig of the maze hedges – unknown plant to me – wandered into my bag for further identifucation.

 

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A most depressing sight for all non-plant-affine persons: A rose garden in early spring! Prickly bare sticks sprouting from grey-brown knotted knobs, one next to the other, the very image of bristly boredom. Quite different so for the rose lover: She or he wanders among the plots, reading the signs with avid interest and from time to time sends out deep mental sighs of expectation in view of „Red Mozart“ or „Conquistador“ or „Boule de Neige“. I see names I never read before in any books or on websites. No wonder, since La rosaleda de Ramón Ortiz“ features an important collection of varieties of Spanish roses, and the garden also serves as a test plot to see how these roses handle the Spanish climate.

The gaze travels from base to top, inspecting the expertise of how the stems have been cut, and at what height, it admires the raffia bows tenderly wound around the twines for support and the colours of the first leaves: dark copper, crimson red, emerald green, orange tinted, etc
The rose lover knows some of the names, but there still remain hundreds of floral secrets to dream of.  The garden hosts 600 varieties and 20 000 specimens and as an average gardener one cannot possibley know more than maybe three dozens of them… or?

The “Rosaleda Ramón Ortiz” – who then was the main gardener of Madrid – was created between 1955 and 1956. It is situated in the Parque Oueste, in the western part of the city. There is bird song and the rush of cars on the Paseo del Pintor Rosales, there is a fountain with a white lady spreading her arms under a spruce (or what I take for one). There is a group of young men dressed in blue and yellow overalls chatting at the corner of a long streched building next to the public toilets.

Let us walk up to one of them. His name is Oscar:

      1. Oscar Rose Gardener - raw audio

 

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Another rainy day and a visit to the Sabatini Gardens in the western part of Madrid, close to the Palace del Rey. I went there intrigued by some pictures showing topiaries and I was not disappointed.
Beheaded cypresses flank the paths, darkly clothed guards of sharply trimmed hedges and the enclosed ponds that hold water spluttering ananas shaped stone sculptures.

I have a weak spot for topiaries, esspecially when they sprout extra twigs or have “faults” that turn them even more into seemingly animate beings. Another feature of the garden are the sculptures of quite a dozen of Spanish kings that obstinatly turn their backs to the tourists and visitors and look across the main pond at each other. Wrapped in their white, often cracked and partly patched cloaks, they royally withstand the rain, evidently glad for having escaped from a much more boring surrounding, an ordinary storage space.

As far as common information goes I’ll just share this wiki note with you:

The Jardines de Sabatini are part of the Royal Palace in Madrid, Spain, and were opened to the public by King Juan Carlos I in 1978. They honor the name of Francesco Sabatini (1722–1797), an Italian architect of the 18th century who designed, among other works at the palace, the royal stables of the palace, previously located at this site.

In 1933, clearing of the stable buildings was begun, and construction of the gardens begun, which were only completed in the late 1970s. The gardens have a formal Neoclassic style, consisting of well-sheared hedges, in symmetric geometrical patterns, adorned with a pool, statues and fountains, with trees also disposed in a symmetrical geometric shape. The statues are those of Spanish kings, not intended originally to even grace a garden, but originally crowding the adjacent palace. The tranquil array is a peaceful corner from which to view the palace.

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¡Hola Jardineros!
Let us take a walk with Alberto Peralta to „Esta es una Plaza“ in Madrid, an urban garden in the vicinity of the Medialab Prado. The clouds hang low in the skies today,  people huddle under their umbrellas, yet, here at Calle Doctor Fourquet, 24, we hear the sounds of sawing, talk and footsteps in sandy puddles….

The community garden „Esta es una plaza“ existed for almost 40 years as páramo (uncultivated ground) but ca. 10 years ago the locals decided to turn it into a garden place. There was, as my guide Alberto told me, even some financial encouragement rained onto the gardeners but their decision was to stay as independent as possible… so there is even now some money left from this. [amazing!!!]

The garden is about 1000 square meters big, enclosed by partly decorated brick walls, sprouting a fair number of young fruit trees, carefully tended plots, self-built constructions for work, eat and shelter, paths, a playground, and even a theatre at the end of the premises. The garden’s core community has about 30 active members but not all of them are gardeners. Some take care of the buildings and constructions, others are dedicated to logistics or mastering the outdoor kitchen or both when it comes to sharing the harvests of the plots: Lunch and dinner parties are arranged in the course of summer and autumn each year.

A striking feature are the wall paintings that also illustrate the garden’s community practice: Whoever wants to contribute to „Esta es una Plaza“ does so by introducing his or her idea – and then (in most cases) gets granted a time/space/place to realize it. Visual artists choose their location and are free to work up to 6 months on a piece. The large wooden chart that illustrates our gardens’ hexapods was created was created 4 years ago, by Zeeba, a biologist. Workshops, concerts and theatre plays are arranged in quite a similar manner… and certainly some of them are also responsible for the DIY garden art works strewn all over the place.

Quite a specialty of the place is its cactus garden, thought up and maintained by Antonio Alfaro. Hundreds of carefully planted and cared for specimens live here, interspersed with other succulents and – as a second glimpse reveals – a number unobtrusive,  charming artifacts… una lagartija (lizard)… un erizo (hedgehog)… and more. The amazing knowledge at display in this cactus plantation is easily explained: Antonio is a member of the „Cactófilos“ or in other words the ASOCIACIÓN CACTUS Y SUCULENTAS DE MADRID :)

With all of this going on for more than a decade it is maybe no surprise that „Esta es una Plaza“ attracted the radio collective of Radio Hortelana! In 2014 they staged a live radio event on-site, with interviews, concerts, talks and also a blog, that links to their podcasts.

I’ll write to them,  stay put for more radio gardening news within the next days & weeks. Definitively forthcoming and covered in this blog:

  • An international short film festival about urban gardening!
  • Humus Film Festival starting on the 16th of March 2018!
  • In Madrid at La Casa Encendida
  • Open Call still open until 5th of March

Thank you Alberto, for sharing this!

 

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