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Composer’s Garden III

 

 

 

 

 

 

 

 

The 3rd round of Composer’s Garden related explicitely to the 3rd nightloop with its subject of “Noise,Clicks&Classics”. I had a very agreeable interview with Carver Audain from NY via skype, and we talked about his work and the atmospheres connected to it. We touched on the intriguing thought that one can actually have a sound in mind – or maybe even only the notion of a sound – and the composition proceeds from there… from the imagination of a sound.

Audain ” is a self taught pianist, his earliest works are explorations in harmonics utilizing the piano, electronic organ, guitar and cymbals. Materially, he produces audio using digital signal processing and editing techniques on a variety of environmental and instrumental recordings. His recent works explore harmonic structures utilizing the “slow change music” method. In a live setting, he arranges and manipulates this material into situation-specific compositions. Sonically, he produces an array of slowly shifting sound fields that merge and transform within their physical surroundings.” (from http://www.carveraudain.com).

The CG III got completed by the works of Jaydea Lopez (Australia), Udo Noll (radio aporée), the Austrian composer Gerald Resch and by Wojciech Morawski from Poland.

Playlist:  ShellshoreGardens

 

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Composer’s Garden II

 

 

 

 

 

 

 

 

Much to the delight of both ladies, the interview with  Susi Mahacke Produktion (Hamburg) touched the most interesting subjects: precision gardening, dependent flora, James Bond movies, satellite-monitored agriculture, folklore and garden fashion. SMP presented a specical mix version of her forthcoming album “Jardin oublié”. 

Susi Mahacke Produktion ist Susi Mahacke: Fiktive multiple Erscheinung – wandelt so durch Wiesen, Wüsten und Mauern.
Seit Mitte der 90er Jahre hat sich eine Arbeitsweise herauskristallisiert, bei der sich Medium und Kontext immer neu erst aus bestimmten Themen entwickeln. Nach Ausstellungs-Ensembles aus großformatigen Bildserien, Fotoinszenierung und Schnaps-Kreationen arbeitet Susi Mahacke heute mit komplexer Rauminstallation, Gärten, Performance, Video und ganz aktuell mit eigener Musik.

 

A piece by  Nikolaus Gerszewski, “Kodam Gobar” from his work series K187 completed Composer’s Garden II:

Kodam Gobar: The piece won the first price in the international composition-contest Fereydoon Moshiri, announced by the ensemble work in progress and Hamburger Klangwerktage 2011. I work here with a flexible interval notation. The musicians each have to fall self-responsibe decisions regarding the melodic progression of their part, thus generating aleatoric counterpoints and harmonies. Yet the piece’s materiality and structure are not affected by these decisions. Keeping the music in a permanent state of uncertainty about it’s own progression, I wish to prevent the emergence of routine, and establish a certain level of awareness.

Playlist:

Interview with Susi Mahacke: 22:22
Datscha-Mix:                               23:32
Kodam Gobar/Gerszewski        14:02

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Composers Garden I

 

 

 

 

 

 

 

 

 

“Composer’s Garden” is an one-hour feature, from 10-11 pm. Part of each show is an interview with one of our OpenCall artists, and his/her works are introduced to the audience. This presentation is followed by a supplementary introduction of 1 – 3 other composers, usually with reference to the subsequent nightloop.

Composer’s Garden I:
OuthouseNightOperaGardenWalk

“How to built an Outhouse”. Interview with Dirk Hülstrunk. Frankfurt. Via Skype.

Playlist: PlaylistOuthouse

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Nightloops #1 – #4

 

 

 

 

 

 

 

 

General information:

The composer’s nightloops are a collage of your contributions to Datscha-Radio. They have been sent in response to the OpenCall or (a minor number of them) researched on open and opaque online resources such as Freesound, free music archive, or filestube.

I roughly grouped them into 3 fields: Into The Forest ; NoiseClicks&Classics ; FarAway Gardens.
Each loop is about 3 hours and is designed (or functions as objet trouve) as a random playlist.

The issue is listening – with and without listening.

Datscha Radio is delighted with all of you. Thank you very much!

Composer Nightloop #1: The night loop from the 24.-25th August is a compilation of my own works (raw audio). Three of them, though, are not by myself, but belong into my archive of “Strange Folk & Weird Country -songs.

 

 

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Nightloop #3: NoiseClicks&Classics

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Whoever thinks of noise as a concept unfit for “the garden”, gardening or nature, is mistaken. Wind and waves are noise. The rustling of leaves is noise. Lawnmovers, saws and hedgecutters are noise. The neigbour’s radio sounds are “noise”. Noise could be defined as sound in absence of harmonic structures. Then again. Listen closely.

But what whim took over her to combine “noisy, electronic” tracks with contemporary classical music?
This was done to create a fitting pendant, or a counterpoint possibly. “Classical music” is usually connoted with “harmonic structures” and “harmonic structures” are deemed a lot more suitable for garden music… But just as with different gardening concepts there are different concepts of contemporary classical music. Be it the use of mathematical or aleatoric principles, of sung poetry, of experimental scores (for example the drawing of a leaf serving as a musical “instruction”), even the mix with “real” field recordings, not speaking of the actual situatedness of the concert/playback… almost every new school of music (from ages on) working in a different mode, seeking different harmonies has been attacked of creating “noise” .

Now, whether it is “noise”, drones, sinus waves, just “ugly” fieldrecordings, classical compositions bordering on atonality, orchestrated chaos or a meandering along a contrapuntal walk… with NoiseClicks&Classics you may continue to rely on your curiosity.

And for the beauty of it, I put some nightingale songs in it, too.

Featured composers are: Suspicion Breeds Confidence, Gerald Resch, Nikolaus Gerszewski, Miquel Parera, José Manuel Garcia, Udo Noll (radio aporée), Emanuele Constantini, William Engelen, Peter Cusack (Radio aporée), Wojciech Morawski, Daniel Blinkhorn, Carver Audain, Pit Schultz, Jaques Foschia, Toni Dimitrov, Attila Fias & John Kameel Farah, Stijn Demeulenaere, RawAudio.

Playlist: Playlist_Clicks

 

 

 

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Composer’s Nightloops #4: FarAwayGardens

 

 

 

 

 

 Photo: soundwalk collective

 

 

 

This nightloop is dedicated to environments located in less moderate climates than our Mid European garden habitat: Rainforests, deserts and prairies. But no rules without exceptions: Although France and England don’t seem to be so far away, we included, for poetic and comprehensive reasons, a rooftop bee-hive, the French radio portrait of an apiculturist as well as a walk through “Derek Jarman’s Garden”. Plus: Radio artist  Carlo Patrao presenting a show on plant conciousness and communication.

A definite highlight is the “Ayahuasqueros” soundwalk, kindly provided by Josie Holtzman, NY,  from the soundwalk collective:

Ayahuasqueros. Recordings from the Amazon, Peru, 2012
A RADIO ESSAY BY JEREMY NARBY
In collaboration with Francisco Lopez
Featuring Victor Nieto and Ushamano Walter Martinez

For a video snippet, please click here: http://vimeo.com/44449271

Composers of the FarAwayGardens nightloop are: Jaydea Lopez, Carlo Patrao, David Assoline, Samuel Mittelman, Jonathan Prior, Jeremy Narby, Stateimpact Texas (Report on How To Grow Tomatoes in the Desert), Sherre Delys and an anonymous Puertorican screechowl.

Playlist: playlist_faraway

 

 

 

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The Last Day

The last and 8th day of Datscha Radio stood under the star of the “Quattroflex”: Hannes Wienert, multi-instrumentalist from Hamburg, unpacked his suitcase and introduced this item to a wide-eyed audience – next to a Tibetan conch, two Korean and Japanese oboes and the Chinese sheng. The “Quattroflex” is a variant of the customary garden water hose, in the inside equipped with a quadruple lining of rills. Therefore, the sound obtains a particular frequency which reminds the listener of electronically processed vibrations. Wienert equips his tubes and shell conches with fitting mouthpieces from various saxophones, such creating a new breed of “hybrid instruments”.

Our guests of honour this day were the chairman of the “Gardening and Housing Society “Einigkeit”, Werner Bär and his wife. Another guest was Gerd Haertl, the event manager of the Rosenthal Autumn Festival. He talked about the history of the village which, having been founded in 1230, is even older than the city of Berlin. And he  also played “The Hymn of Rosenthal”. Much to our delight, Mr Bär agreed to do a radio interview on the current and historical situation of the “Einigkeit”, and to emphazise the importance of this greatest of all garden parks in Berlin for the city – and of course, as the home stead of Datscha Radio. Naturally, the Datscha team seized this opportunity to thank Mr. Bär personally for his enduring support by word and deed: Since both, the tent that protected us, our guests and the tables and benches were provided by the “Einigkeit” club house for free. Together with the Liebram couple who maintains the heritage of Rosenthal at the “Altes Landhaus”, our editor Diana McCarty and our Datscha Radio artist Frau Puschel, we formed an agreeable round with coffee and beer and the apple cake vanishing by and by.

At this point, it is fit to refer to the peculiar phenomen of the tomato, being picked, resting on the table, disappearing and reappearing in a constant flow and go these days (as can be observed by looking attentively at our photos). Tomatos were in everybody’s mouth, went through everybody’s hands, they flew through the air, rolled in the grass, fell from the trees, and they ended either in a dish or immediately in somebody’s stomach. They dematerialized and rematerialized, either in a little basket presented by Peter oder in the hands of Diana, were they transformed into little red birds nesting in her hair.

And behold! Late at night, the guests gone, Mr. Wienert on his way back to Hamburg, the moon in the sky and the night owls busy in the trees while Ihlenfeld, Schultz and McCarty were  talking around one table (Ms Schaffner already brushing her teeth): Three REAL night owls landed on the datscha trees and took position in a triangle around the tent. So, there were the owls talking to each other and below, the people were talking to each other. And the people laughed at their table and the owls laughed perched up high on their posts. And they hooted “hooho” and “yiipee” and “croocro”. And: “Datscha Radio- ohh-ohh”. We took this as a most positive omen, and afterwards…

 

 

we carried on celebrating.

 

 

… ganz besonders mit unserem Nachbarn Peter Ihlenfeld, dem König der Königinnen der Nacht. Ohne ihn wäre Datscha-Radio nicht möglich gewesen! Großer Dank vor allem hier also an ihn!!!

 

 

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The Seventh Day

 

 

 

 

 

 

 

 

 

The Finnish national Epos Kalevala tells us that in the beginning of the world all things came  into existence with a duck’s egg. Let us now imagine this egg. It is just like the Seventh Datscha-Radio day: Full of surprises, events, music and never-heard-of-things. Among our famous guests were sound artist Klaas Hübner with his experimental Oscillator Fruit Salad, Morgenvogel Radio with Maria Leena Räihälä and Manuel Bonik, a group of talented youngsters who termed their instant-Datscha-band “Bermünch”, Carola Haupt and Julia from the Italian Radio Papesse, … to name just a few of them. And our edtior and great radio show maker Verena Kuni left us to return to Frankfurt. Sigh! Wonderful work and a great time we had with you, Verena!

Meanwhile, we found the time to upload our pictures, so let us take another look at the Datscha-world-egg of the 30th of August:

Evidently the self built oscillator fruits were tasty and did not electrify the ladies savouring them (at least not in any negative sense). Verena Kuni led through the experimental set-up and evolved even more energetic than before. Arrival of the Munich twins Lena and Lulu and Marie Schwab with her guitar. The girls played “This is what we would like to hear in the radio but they don’t play those songs”, Marie sang (a. o. ) a John Lee Hooker, and Lena turned out to be such a talented radio host that I could steal away from their show and join the conversations outside. The girls were joined by their friends Carl (ukulele) and Julian (guitar), both members of the Berlin band “infinity repeat”.

Morgenvogel Radio’s show  featured the artist Michael (surname will be added) as performing guest and presented a surrealist blend of live performance, interview, talk on bird houses, musical interventions and  readings from the Kalevala. Manuel Bonik’s laptop was wired to the boombox – analogue mixing without a mixer! –, the micro was wired to our spontaneous brain waves, a black egg served as another musical medium, a ladder was placed next to the cherry tree and Datscha-Radio got presented with an original Morgenvogel bird house – manufactured by the tender hands of Maria Räihälä herself. Thank you! More bird houses are still available from Morgenvogel Real Estate: The aim is to establish more homes for birds (and you don’t need to own a garden for that!): Be it your window sill, roof top or balkony, your favorite tree in the park, etc. Only traffic lights won’t work since they usually lack the leafy, green environment needed for a bird’s natural habitat.

In the meantime, the artist KH Jeron showed up, again in his seemingly favourite disguise as a cooking magician. This time he conjured a very delicious apple crumble pie for us of us. Thank you!

Around 10 pm Hannes Wienert arrived straight from Hamburg, wearing with a toupee and carrying  his suitcase full of his peculiar collection of Asian and not-so-Asian instruments into our datscha. Morgenvogel Radio had gone slightly huppelissa, tangos were played and the full moon was up in a misty sky.
This is how the “Moon Hour” started. Manuel Bonik moved his laptop to the studio, Hannes played improvisations on this Chinese mouth organ – the infamous sheng – and as far as I remember Maria and I sang a karaoke version of Blue Moon… or did we?

Yes, and after a mind-bending free gallop over the nightly fields of more loony moony tunes, the reading of Finnish poems and more tango, there came the sad and terrible moment to say Goodbye to Verena Kuni, our brilliant co-editor from radia.fm. A treasure of knowledge and practical thought she is! Again great thanks to you, without your help a great part of our program would have never been realized!

 

 

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