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Open Call “Night Gardening II”: Frequencies & Fragrances

Sound and scent, both travel the air. Medium and message in one, they inform the senses and invoke responses: signals, reactions, memories and anticipations. At night, our senses of smell and hearing intensify, and our communication with the world becomes less object-centred. With “Night Gardening II: Frequencies & Fragrances” Datscha Radio wants explore the transposition of smell into sound.

From sunset to sunrise, 8:46 pm on the 8th of August, until 5:39 am on the 9th of August, 2019, we will be broadcasting directly from a Berlin allotment garden.
What is this sound, soft as perfume, permeating the frequencies of our presence? Datscha Radio wants to find out – and calls for your radiophonic input.

Fragrances and Frequencies

How can we ‘translate’ olfactory perceptions into sound? How do we relate to the scents that tap into our imagination? Is there something like a ‘foul smelling’ sound? A sound, for example, that resembles the fragrance of the earth after summer rain?
Datscha Radio asks you to focus on the scents of the garden and their possible metamorphoses into sound and music:  freshly dug earth, a dead mouse, compost, a bunch of lilies, cut grass, insect repellent, apple cake… you name it.

Please send your files via wetransfer to info@datscharadio.de
Please provide two or three lines each about the piece and yourself including a website, if possible. Please put “Garden Scents” as a subject line.


Please submit your audio piece by the 15th of July, 2019.


Our Datscha Radio program will grow with the flow of the events that night. There is no fixed time schedule. You’ll find a list of all participating artists on our website in due time.

Datscha Radio can be heard on

  • – datscharadio.de
  • – narrowcast in the garden itself
  • – in collaboration with other radio stations and projects (if interested, please, let us know)


Datscha Radio’s 2019 series of “Night Gardening” explores the sensual and auditory spheres of the night. Our first episode dealt with the songs and themes connected to the nightingale, while our third and final iteration will deal with nocturnal ceremonies and audio walks. We broadcast online via datscharadio.de and via micro FM in the garden(s).

What can Datscha Radio offer?

Datscha Radio works on a voluntary basis. Therefore we can neither pay for any costs, nor disburse any production fees.

What we have to offer is:

  • – a platform and experimental site for acoustic bouquets
  • – the broadcast of your contributions, locally via FM and globally via stream
  • – lasting sustainability: the documentation of “Nightgardening I – III” will be archived on Mixcloud, for you to enjoy and share.


Datscha Radio is a non-commercial art and culture project. The copyright for submitted files remains with the artists. The legal model that we are considering is the Creative Commons License (see http://creativecommons.org/learn/licenses).



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Fragrances and frequencies, sounds and scents, particles and perfumes: Datscha Radio will take one step further in its radio-sensory exploration of the nightly garden. How may scents translate into radio?

Fragrances and frequencies both travel the air. They are medium and message in one, they reach out to our senses and they invoke reactions, signals, encounters. They permeate the presence as much as they are a fleeting experience. In this night by the end of July, Datscha Radio will investigate the ephemeral and perceptive nature of scents but also their function as communication agents between the worlds of the human and non-human.

At this point in time we are just starting to prepare:

  • the date is set but not yet fully confirmed
  • – an Open Call might come up to invite artists to share their scent-based composition with us
  • – or come to the Datscha garden to perform live
  • stay tuned to learn more!

Broadcasting time: From sunset to sunrise.

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There was still some light in the evening sky when we began broadcasting. Earlier, while setting up, the sun shone onto the veranda’s railing, where a little stove had been placed, and bottles of wine, and cheese, and ladybugs and beetles made out of chocolate. Leonie Roessler had arrived, all the way from Den Haag, carrying her sampler and other gear with her. We chatted… and then, at precisely 20:32, with the sun setting and dusk sneaking out of the darker corners of the garden onto the lawns, the moment came to go on air.

Leonie Roessler setting up

Our opening piece was a 16th century madrigal by the composer Thomas Weelkes, sung by the Berlin choir “Singlust” and adequately titled “The Nightingale”. Written for soprano, alto and baritone, the three strands of melody hovered and danced in the evening air, carrying the tune, along with the scent of the blooming lilacs, over the garden fences and beyond, into the neighbouring allotment gardens of the garden colony “Britzer Wiesen”. Because each of Datscha Radio’s “Night gardening” iterations are set to take place in different Berlin gardens, and Kate Donovan’s ‘Datscha’ location in the South of Berlin was already known for its abundant nightingale population (and as a site for outdoor broadcasting).

…with the sun still shining.

From that moment on, nine hours of joyous radio making evolved. During and in between the performances we sipped champagne (in celebration of the recently won prize for the project) and hot tea, and shared what we knew about this famous bird, starting with an introduction by Kate about one of the first outdoor radio broadcasts, from a garden in Surrey, England, in 1924, in which cellist Beatrice Harrison played a duet with a nightingale.

Leonie’s contribution was a soundscape exclusively composed for this evening. “Copper and Song” was based on her visit to Isfahan in Iran, where she visited the bazar of the copper smiths and found that almost all of them had a cage with a nightingale to accompany their hammering. In our talk afterwards, we wondered why, as it might not be nice at all for the birds to live with so much noise, and we mused about the accidental content found in field recordings destined to serve an originally very different purpose.

Artists and Guests

Meanwhile, curious garden neighbours visited us, Kasia Justka and Peggy Sylopp surfaced as surprise guests, Rosanna Lovell arrived at the garden with her clarinet, and Walter Schulze appeared with two very impressive looking boxes that revealed their mesmerising, blinking contents shortly after.

JD Zazie and Mat Pogo

JD Zazie and Mat Pogo materialised out of the dark and began to set up their gear. Their piece, “Domestic Nightingale”, was based on samples of nightingale songs played and recorded in their home, that became modified, remixed, accelerated and decelerated. Patterns appeared and disappeared like vortexes in a fast flowing brook: A superb performance!

In it a nightingale is hiding.

Secret-en-plein-aire by Walter Schulze and Niki Matita proved to be a two-part performance. Schulze’s synthesizers kept wildly blinking while processing a set of Berlin nightingale field recordings. As explained by Niki Matita, he used the signal of the envelope curves to modulate the tones… and the machine warbled and twittered and sang, assisted by Niki’s comments and experimental button pressing. For her text “Die Nachtigall vs. der Nachtigall”, she had prepared her own vocal nest, including a soprano nightingale interpretation from the 1930s.

Lukatoyboy’s 7″ bird vinyl collection

Lukatoyboy came on the spontaneous invitation of Ms Matita, and brought a portable turntable and two walkie-talkies with him. As a true surprise guest he was not in the least surprised about the night’s theme and pulled at least a dozen 7″ bird sound and song singles out of his bag. His performance was very versatile: The records were scratched and played while a little dictaphone served as a loop machine. Such adventurous sequences were created – with bird songs and the interspersed voices of naturalists and birdwatchers. After that, Niki Matita took on the role of expedition leader on walkie talkie, directing Lukatoyboy (other walkie talkie) and JD Zazie (mic on a long cable) out into the garden and beyond to following the sounds of the nightingales, and chasing the sounds of the nightly garden colony.

Rosanna Lovell

As temperatures dropped close to 12 degrees (but felt even less) we all kept pulling on layer after layer of warm clothes: Tights, jumpers, vests, hats and hoodies. Radio adrenaline kept us going. Rosanna Lovell was the last artist to perform live, and she brought along with her an exquisitely researched selection of Oliver Messiaen’s compositions which were derived from bird song. The theme of Rosanna’s presentation was “Bird Song and Notation”, which was followed by a clarinet interpretation of a nightingale score that I had conceived for a Datscha Radio 14 event (the instrument had to get warmed up by being tucked under her jacket before playing…).
After having listened to so many diverse, field recording based and electronically processed/transformed, nightingale song iterations, we found it remarkable how the ‘essence’ of the bird’s melodic trills, pauses and whistles remained all through those different interpretations.

Leonie and JD Zazie

Midnight now long past, we turned to talks and compositions that Kate and I had managed to assemble: The interview with the artist David Rothenberg was framed by two of his works in which he played along to Berlin Nightingales in different parks, and followed by a composition by Felicity Morgan who is scheduled to join him in one of his upcoming presentations from May 8 to May 16 (May 16 with Felicity at the Zabriskie Bookstore in Berlin). Udo Noll had contributed an ‘eclectic mix’ of nightingale field recordings drawn from his aporee.org archives, that formed part of an extensive listening session to still other field recordings – one of them recorded in despair for want of sleep by a Charlottenburg resident artist.

Herr Schulze and Lukatoyboy

The wee hours of the morning had come, a light rain had settled in and outside in a flowerpot rested a microphone under an umbrella to pick up the surrounding sounds of the Britzer Wiesen garden night. When we turned up the volume, near and distant bird calls mingled with the sound of even more distant traffic and mysterious mumbling noises accompanied by the resonant bouncing of rain drops on the umbrella. The garden had gone quiet, the artists had left, our press lady Helen had withdrawn to a bed inside. It was time for telling stories… and reading poems… and another take from the nightingale choir and more musings on the bird’s music. Whoever was still awake then had a chance to listen to Keats’ “Ode to a nightingale” (bilingual), the terrible story of Philomela by Ovid, the “Rose and the Nightingale” by Oscar Wilde, to name just a few.

Umbrella at 4:30 with microphone

Around 4:30 the garden started to wake up again: the song of the nightingales mixed with the good morning croaks of a flock of crows and the cooing of wood pigeons and the clouds’ grey became lighter. At 5 am we noticed our voices and minds had become really slow… a good idea to take refuge in one of Niki Matita’s nightingale song collections, of which she had prepared several. Jazzy tunes, bird tangos and classical interpretations portioned to present another range of luscinia songs in popular (and not so popular) music.

At 5:27 we noticed we’d almost made it! There was just enough time for a quick preview on Datscha Radio’s second iteration of “Night Gardening” – about the “Perfumes of the Night” and another take of Thomas Weelkes amazing piece sung by the Singlust choir… Snap, crackle and gone was the “Night of the Nightingales”!

Just then, a nightingale landed on a bush next to the veranda and started to warble with all of its voice strength… and we continued to listen…

Kate Donovan happily enjoying her coffee

Just then, a nightingale landed on a bush next to the veranda and started to warble with all of its voice strength… and we listened on…

(a gallery with more pics will follow, bear with me)

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Dear All, for today we have finished gardening … and relax a bit. Nine nightly hours filled with nightingale songs and singings, light rain, chatter, food and drink and a truly overwhelming line-up of artists! It was great – and yes, the broadcast will soon be available online and also a picture gallery. Datscha Radio wants to thank you all:

Andrea Eckhardt and the choir Singlust, Leonie Roessler, Rosanna Lovell, Martin Schulze, JD Zazie and Mat Pogo, David Rothenberg, Felicity Mangan, Katt Hernandez, Udo Noll and Lukatoyboy.

P.S. The bird in the picture is a real Britzer-Meadow Nightingale and bade our goodbyes as we carried our luggage back into the streets of the city

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Datscha Radio has been honoured with a prize for artistic project spaces and initiatives. The State Secretary for Culture, Dr. Torsten Wöhlert, has awarded a total of 20 initiatives, which were nominated by an independent
jury. An endowment of 37,000 euros will be awarded to each project. The award ceremony will be held on the 13th of September, 2019, as part of the Berlin Art Week.

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Why should we divide the time when it flows from day to day and night to night?
We will broadcast the “Night of the Nightingales” by meandering around the following tentative schedule:

  • – 20.32 16th Century Choir: “The Nightingale” composed by Thomas Weelkes from the collection “Phantasticke Spirits for Three Voices”
  • – Evenings’s Introduction
  • – Matt Hatters Garden: radiophonic poems on nightingales
  • – Rundgang im Garten |Introduction of location | Niki Matita’s Luscinia-Mix I
  • – ca. 21 Uhr: Leonie Roessler: Copper and Song – Elektronische Echtzeitmusik – komponiert mit Feldaufnahmen aus Isfahan, aufgenommen während des Limited Access Festival 6 im Februar 2016. With a talk about Persian nightingales. DE
  • Secret-plein-aire (Niki Matita & Walter Schulze): live impro w/ synths
  • – ca. 22:00 JD Zazie, Mat Pogo: Live
  • – “Birdsong and Notation”. Playing Nightingale Scores with Rosanna Lovell
  • – 00.00 Midnightingales: A choir rehearsal
  • – Katt Hernandez: “Amid the Alien Corn”
  • – Niki Matita’s Luscinia-Mix II
  • – ca. 1:00  raw audio: “Night Inhale”. Twittering Presences…
  • – ca. 1:30  David Rothenberg talks about nightingales in Berlin and his book “Nightingale Cities” and CD. EN
  • – Felicity Mangan: “stereo’frog’ic”
  • – Nightingales Comparisons: Charlottenburg Rosenthal, Prenzlauer Berg and and “Eclectic Mix” by Udo Noll: Imaginative shop talks
  • – ca. 3.00 Kate Donovan, Gabi Schaffner, Nico Petidan: Slow Storytelling: Ode to a Nightingale and more. DE,EN
  • – 05.00 Coffee Time? “The Nightingale”, phone version.
  • – 05.33 The sun rises (end)

The night is, far more than the day, a sphere of transmission. Fragrances and odours are perceived more strongly, the ear is sharpened, the superiority of the visual recedes.

Since its inception, Datscha Radio has paid special attention to the night. We have broadcast pieces by selected composers and sound artists and, in the “Surprises de Minuit”, conducted interviews, which would never have materialized in the hustle and bustle of the day.

In the three-part event series NACHTGÄRTNERN [NIGHT GARDENING], Datscha Radio intends to fill the living space of the night in a synaesthetic and radiophonic way.
The locations will be three different gardens in Berlin, where we will make radio. We will broadcast live, from exactly sunset to sunrise. (Depending upon transmission date, the transmitting time will vary by around one to two hours.)

I The Night of the Nightingales (April 30th)
Datscha Radio explores the essence of the night on the first evening with a focus on the nightingale (Luscinia megarhynchos). The Date is expected to be April 30th, 20.32 – 5:33, May 1st, 2019.

More information in due course.

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The generation of waste is the most distinctive trait of human civilization, and it is increasingly threatening the environment we depend on. Datscha Radio’s final broadcast presented once more a wide spectrum of artists and participants, of tales and talks, of sonic transmissions and subterranean secrets.

The studio had to move that day

Starting with Taiwan’s probably best known tune, “For Elise” by Beethoven, that is being used as the “trash car anthem” we pondered over the benefits of Taiwan’s municipal garbage collecting system. Because, unlike in Europe, there are no bins in the backyards and there are only very few public waste bins to be found in the streets. Instead, on 5 out of 7 days a week, trash cars roam the streets under the wail of this popular tune and signalling by this that it is time to take the trash out _ already sorted into paper, plastic, food leftovers and other.

Margaret Shiu has a lot of experience to share… (photo: THAV)

Among other things, it was also pointed out by Margaret Shiu (Bamboo Curtain Studio) how this mode of trash collection exerts a considerable influence onto neighbourly relations: “It is also a time to meet your neighbour, a chance to address personal affairs, to get to know the rhythms of your environment”.

JK Wang had prepared himself well (photo: THAV)

Yet, all well meant efforts are doomed to failure if the sorting of plastic waste becomes just to complicated for the citizens. J.K. Wang with his background in engineering, explained about various kinds of plastic and the current problems of re- and down-cycling. Is plastic really so inevitable that we have to content with its (re)use as a resource? How much hygiene do we really need when it comes to the packing of vegetable and fruits?

A new studio background: Orchids and marmots © THAV

The weather, by the way, on that day was quite horrible. It had rained for three days in a row, and because more participants than usual were expected, the Datscha Radio moved to the “Cross Gallery”. So we sat under a polyethylene roof, our feet in puddles, our jackets for most part zipped up unto our chins. True radio gardeners!

Mark van Tongeren is a sound artist and vocalist

Would you know, for example, that the Romans worshiped not only a Goddess of Waste called “Caca” but also a Goddess of the Sewers that went by the name of Cloacea? “CloaceaGardenMix” was the name of a compilation of sewer recordings made by Serge Onnen and introduced by Mark van Tongeren, and Mark’s spontaneous improvisation of an imaginative prayer song for Cloacea was a definitive highlight of this show!

Scheduled for the show were also four selected pieces submitted by the open call, yet, as the discussion among the guests was very lively, only one found its way into transmission: Chelidon Frame’s “Left Blank” which is based on (processed) recordings of empty bottles.

Yannick Dauby under the Banyan Tree

A couple of days earlier I had the occasion to make an interview with the French nature recordist Yannick Dauby. “When you bend down 200 times a day you start thinking differently about waste” was a 24 min excerpt of that talk.

With  Datscha Radio’s focus on sound art two other waste-related  topics arose. One concerned possible parallels between noise and/or audio waste and practices of collecting, recycling and/or discarding. The other dealt with the issue of noise pollution.

Mark and Margaret (and the handbag) © THAV

“Sonic Garbage Collection” was one of the pieces specifically made for this broadcast, a prerecorded improvisation by the anthropologist Gabriele de Seta and Lu Yi, the assisting artist to Fuyui Wang of Soundwatch. This was followed by a short presentation of two works by Fujui, one of them a most filigrane recording of a signal loop inside a light bulb (“Sound Bulb”). Since the artist wasn’t present at that time, Wu Tsancheng (featured in DRT’s #2 broadcast) and Mark’s musician friend Lee Szu Tung, introduced this pioneer of Asian electronic music in their own words.

Fujui Wang and Lu Yi

Fujui Wang, who is the Head of the Trans-Sonic Lab for Art and Techology Center of the  Taipei National University of the Arts, joined us about an hour later, together with Lu Yi and we were able to catch up on the planned interview.

Tsancheng and Hauyu in conversation

Meanwhile, the sun had set… and it was time for two longer pieces that would allow us to stretch our legs, have some drinks and chat. “The Dog That Licked Up A Star” by myself was a composition based on short wave snippets and field recordings made in the province of Hengchun. It came with my classic “Handbag Performance”. (Later on I was told by Lu Yi, that performers in Taiwan do never present their work in such a casual way. Rather they are expected to take on a “harsh” and dominant posture… )

Taipei lady trash…

The final piece played had been conceived of  by the composer, DJ and musician Ken Yu from Yilan. Hauyu Yang had made a short interview with him and afterwards we listened attentively to “Sea Waste 7.0”, a 17 min track based on the feeling of shock and disgust that the artist struck when he recently found himself walking among the plastic debris of the Yilan shore. 

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Forecast Sunday, 10th of March

On this six and last broadcast Datscha Radio Taipei will focus on the theme of waste. “Waste Culture” will discuss issues of Taiwanese waste management and recycling. It will explore our notions of garbage, trash, waste and debris. This will be done in the shape of talks and music, performance and field recording.

I am happy to welcome live at Datscha Radio, the founder and artistic director of the Bamboo Curtain Studio, Margaret Shiu, the Dutch sound and voice artist Mark Van Tongeren and the Yilan artist, farmer and performer Yang Hauyu.  Together we will explore the “wastelands” of our contemporary civilization in conjunction with an interview with the field-recording artist Yannick Dauby who describes the havoc caused by plastic waste on the shores of the Taiwan archipelago of Pescadores. Moreover, there will be a visit by the duo of Soundwatch, the artist Lu Yi and Fujui Wang one of t h e pioneers of experimental music in Asia. We’ll play two selected pieces by Fujui Wang and a compositon especially prepared for this last episode of DRT by Lu Yi and Naturalismo (aka Gabriele de Seta): Sonic Garbage Collection. :)

I am also very happy and proud to be able to include the specifically for “Waste Culture” produced piece “Sea Waste 7.0” by the Yilan composer, DJ and musician Ken Yu into the broadcast as well as selected submissions of Datscha Radio’s open call “Trash”. Last but not least, I willperform of my new radiophonic piece “The Dog That Licked Up A Star” as an integral part of this final show this will happen at some given moment after 6 pm.

As the planning for this show is still in the making, all content is subject to possible changes

Datscha Radio Taipei wants to make this afternoon special, as it is the last show in a series of six. Guests and visitors, performers, musicians, artists and friends, please come and enjoy and celebrate with us: Waste Culture!

Bring your radios, don’t bring any plastic items with you, bring instead some (recycled) Taiwanese (!) music: Make Radio not Waste J

Food and drink will be provided for by courtesy of THAV.

Studio Guests: Margaret Shiu, Mark van Tongeren, Hauyu Yang, Lu Yi and Fujui Wang (Soundwatch), J.K. Wang
Interview (pre-production): Yannick Dauby: “When you bend down 200 times a day you start thinking differently about waste”
Radio Art Specials:
“Sonic Garbage Collection” by Lu Yi and Gabriele de Seta;
“The Dog That Licked Up A Star” by Gabi Schaffner;
“Sea Waste 7.0” by Ken Yu
Selected Compositions: Fernando Laub, Chelidon Frame, Tomoko Momiyama.


15:00 – 15:20
Introduction of guests, listening to first open call piece or other

15:20 – 16:00
Discussion I waste management policy in Taiwan and elsewhere (Shiu, van Tongeren, JK Wang, Hauyu Yang) + open call piece,

16:00 – 16: 20 Yannick Dauby. Interview (excerpt)
16:20 – 16:50: Introduction Sound Watch, presentation + live improv + talk
16:50 – 17:20: Discussion II recycling strategies in Taiwan and elsewhere (Shiu, van Tongeren, Hauyu Yang) + open call piece

17:20 – 17:35: Live Insert van Tongeren and/or introduction of Serge Onnen’s work about garbage

17:35 – 18:00 Discussion III (all guests): Earth works: Recipes on Sustainability + Live Insert by Sound Watch

18:00 – 18:20 The Dog That Licked Up A Star. Performance and radiophonic composition by Gabi Schaffner
18: 25 – 19:00: Introduction Ken Yu by Hauyu Yang +

Sea Waste 7.0 by Ken Yu

19:00  – Open end: Your turn! Bring your music…

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