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Almost all of us: Carolina, Eva, Kata, Jesús, Joaquin and Alberto

Dear all and all listeners,

I am still surprised and very happy: Datscha Radio happend in Madrid, in a garden, in a tent, with sunshine, rain, a fabulous cat, with gardeners, musicians, surprise guests and even a power cut in electricity!

None of this would have been possible without the support and activities of

Alberto Garcia, Anna Katarina Martin, Carolina Carrubba, Elena Arroyo, Eva Pilartes, Jesús Jara, Joaquin Diaz, Maite Camacho…

… and the community of Esta Es Una Plaza: Alberto, Santiago, Luis, Tommi and all the gardeners.

Many thanks also to Udo Noll/aporee.org for providing the stream!

Tomorrow: Presentation of the work (as well as the work of some other artists residing here at Medialab at 6pm!

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mit: Eva Kurly

Yes, we are broadcasting: Plant radio, medicinal plants and are now listening to a concert for bees by Eva Kurly. The happiest of all: Alberto and the cat!

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we interrupt our programm for maybe 15 minutes because the solar collector cannot collect enough sun rays. We return as soon as the cable is connected to Luis’ house!

Datscha Radio a tope!

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21st March 2018

The air was fresh but the sun was shining and the lawns lit up in dreams in pink, white and black: For once in these times of preparing for the radio at the “Plaza” I did what is a tradition among the Madrid people! I went to the Parque La Quinta de los Molinos to wander among the budding and blooming almond trees. I had myself photographed under a tree (like everybody) and I took selfies (like everybody). Wonderful!

Get these pictures:) (Some other info about the park and its trees will follow)

 
 
 
 
 

 
 


 

 

 

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Design: Alberto Garcia

Esta es Datscha Radio Madrid! Estaremos emitiendo el 23 de marzo de las 12 del mediodía a las 6 de la tarde, en directo desde el jardín urbano en la Calle Doctor Fourquet.

Datscha Radio es una radio efímera, aquí y ahora! Todo el mundo está invitado a venir, compartir y participar. Te esperamos!

Escucharás sonidos de los jardines de Madrid, conversaciones sobre arte, plantas y horticultura, conciertos en directo e improvisaciones. Datscha Radio Madrid está colaborando con Esta es una Plaza, MediaLab Prado, Aporee.org y Radio Hortelana, en el marco de la décima edición de In Sonora.

Vamos a retransmitir en streaming, desde datscharadio.de, y en la frecuencia 107.3 FM. Tráete la radio! Ven con tus historias de jardín! Ven a la Datscha! Datscha a tope!!

      1. jingle1multivoice.mp3

 

Esta es Datscha Radio Madrid! We will broadcast on the 23rd of March from 12-6pm directly from the urban garden in the Calle Doctor Fourquet.

Datscha Radio is a temporary radio station and invites you to come, share and participate.

You’ll hear the sounds of Madrid gardens, talks about art and horticulture, live concerts and improvisations. Datscha Radio Madrid happens in cooperation with: Esta es una Plaza, MediaLab Prado, aporee and Radio Hortelana.

We’ll transmit on stream on datscharadio.de, and on location on 107.3 fm. Bring your radio! Bring your garden stories! Go Datscha! Datscha a tope!

 

 

 

 

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(Übersetzung folgt) The district of Batán borders on the Casa del Campo park, the neighborhood is a mixture of appartment blocks for the not-so-rich, sports grounds, and still fairly big patches of wasteland. A winding road takes us – about 500 meters further – to the urban garden of Batán, one of the first in Madrid.

Irene, who founded the garden with her community
Things to do

Irene Prins was one among those first founders, then in 2012, in fact, she initiated the project. Our talk takes us from the need to create a place for oneself to the ramifications of the 15th of May Movement in 2011. Irene stuck notes to the walls and trees in the neighbourhood to find people willing to set up a garden space in the area. Over 30 came. “Before this revolutionary movement happened”, she said, “maybe the interest wouldn’t have been so great. But this idea of selfempowerment and taking on responsibilty for the places and communites we live in, was just too important”.

Batán No.1: The original location of the garden was some 50 meters distant. It is smaller and is now cultivated into a forest garden.

Soon afterwards, the Huerto de Batán began to connect to other urban gardens in the city, “there were maybe 4 or 5 of them” – and this was the beginnung of the “Red le los huertos communales en Madrid”. La Red, the network, now counts around 50 urban gardens in the municipality of Madrid. The work is done by volunteers, but the city occasionally supports the gardeners in gaining acess to some rescources like extra soil, organic fertilizers, and water. Yet in their very beginnings, Batán gardens were just a squat and the water was “siphoned off” a communal pipe.

The pond

As we sit in the sun with the distant noise of the A 18 motorway in our back, the conversation shifts from politics and communal issues to the permacultural design of the garden which is clearly organized in terrasses, and planted with a thoughtful mix of (still young) trees, supporting shrubs, herbs, occasional flowers and of course, a diversity of vegetables. There are also a pond and a beehive… too silent this latter one for this time of the year: “We’ll have to wait. Maybe there is still hope, there was so much honey there the last year and we left it all to the bees. But it is strange, not to see a single bee…”

Irene shows me around the plots that in some places spout bushy clews of “habas” (broad beans), there is  timid rhubarb, rosemary and salads. There is also grass, stone, wood, mulch made from twigs, and an irrigation system (saw no Spanish garden without one so far). The garden’s special point is to turn annual vegetables into perennial ones, something that can work quite well with cabbages for example. I get also introduced to a garden plant entirely new to me, the Siberian Pea. Hardy, sturdy and with a stem and branches, a pea bearing shrub… !!!

One last question (podcast of this will be available at some later point) touches our personal relationship to the plant life. Yes, there is , if not actual talk but ‘thinking’ to the plant and a sincere feeling of respect and gratitude. Irene holds that connecting to the earth also connects us better to our lives and fellow human beings, because “it is all about caring”, she says.
There is nothing to add… except some images and the following links.

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16. Marzo 2018

19:30 Visit to the Humus Film Fest, a brilliant idea! 16 short films in 4 categories about urban gardening: Experimental (missed but one half of the last one), comedy, documentary, fantastic.
Some glimpses here: pole dance with potted plant, hilarious GoT-adaption, Esta es Una Plaza selling veggies as drugs (won a prize!), french refugee gardener (best in the category of docus to my mind), rapping youngsters, compost zombies, lots of food… Alberto Peralta doing fabulous moderation (they also won the fantastio prize – dealing carrots – ), craft beer, running into Elena and Carolina of Radio Hortelana.

22:00 Walking home (sounds of helicopters and police cars.  Pondering about some evident links of (Spanish) popular music/movie culture to urban gardening… I think this is different in Germany. Also: a definite emphasis on action. Taking a mental note to ask Señor Peralta. Seeing this:

  

22:15 Editing new Madrid sound field composition for the performance next day.

1:00 Sleep

17. Marzo 2018

8:00 Coffee (3)
Weather check: devastating. It is raining and cold. I don’t know how many times I have been told now that Madrid people hide at home when there is rain outside.

10:00 Dressing while bouncing the new piece

11:00 Setting up the Oficina des las plantas sin hogar with Alberto Garcia and Rosalia. We use the plants from the cantina and the security office for decoration, it looks great!

View of the Open-Air Oficina

View of the Open-Air Oficina and Security Plant

A Senora tells Alberto about her plant.

Unpacking the Madrid version.

 12:00 Rain subsides. Sounds of a Demonstration in the nearby streets. Medialab is swarming with mothers, babies, media and video workshop participants. A lady wants to adopt the „security plant“. No es possible. But we get an interview about one of her favorite plants. Times passes with some more interviews. People are interested to adopt but most of them “forgot” to bring plants.

1:00 Start of performance, all goes well. A sparkling gem in the the new piece is a song about flowers sung by Romi Casiles’ grandma, Elvira Margarita Sturla. There’s beer and tortilla chips and a señora comes and donates two plants, a very grown-up „bad mother“ and an adolescent dieffenbachia (surprise?). She also wants to take „Dark Securita“ home, but I can only offer her a can of beer. A friendly guest, Fernando, consents to sing a melancholy song from Argentinia for Datscha Radio’s singing pool collection. Comida con mis ayudantes.

16:00 Knocked out by the two glasses of excellent wine received with my food and in need of a siesta. Watching a SF-movie about life after dead with Robert Redford instead.

18:00 Idle research in academic papers. Using keywords around „garden“, „dependency“, „permeation“ I come (next to „Species, Historicity, and Path Dependency“ across the psycholinguistc term of „garden-path-sentences“, its German equivalent being the „Holzwegeffekt“. Anyway, this is about misleading grammar structures and the different ways in which these can be interpreted and/or „parsed“ by the reader. I think of the straight paths in the gardens here in their combination with the frequently met labyrinths … Can we also understand/”parse” garden designs as a language… l i k e a language?

19:00 Sort the pics for this entry.

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(Übersetzung folgt) A place for study, information but also a treasure trove of ancient books on botany, this is the library of the Real Jardìn Botanico. Felix Alonso is the head of the library department – we already met when I stumbled into the offices on my very first visit to the garden – and we both enjoy our second encounter. As requested I had prepared some questions and the interview runs smoothly (in the process of editing).

 

Felix Alonso, head libarian of the RJM explains about his work

 

Sample Title :)

The beginnings of the book collections stored here lie in the 18th century, but since then the work of librarians has changed considerately – more so with the impact of the digital age. Apart from keeping pace with the mounting bulk of new publications (and sorting and cataloguing them), the library also engages in several activities with the public. One of them being the forthcoming exhibition about „Tulipan Ilustrado“, the Tulip in Illustration, on the 20th of March (until 20th of May).

Speaking of illustrations Felix proceeds to show me one of the more special books. The drawings are excellent (naturally!) and separated by tissue paper from each other. Pages are turned and the rustle of the tissue compels me to record the sound. Señor Alonso smiles. Maybe this seems strange to him, that something so utterly functional has qualities beyond that: audible ones. Then again, this might have been to moment for him to decide to let me walk me further into the aisles.

Of course this is the goddess Flora

 

Fantastic books if you love the green world!

 
 

Needless to say that I am overwhelmed by the abundance of botanical books in the shelves, some of them surely rare: Expedtion reports from the jungles of Bolivia, mushrooms in the Himalya, pittosporums in Galicia, Pilze in Mitteleuropa, books in Chinese, German, English, French, and and and. Yet, if my curiosity hadn’t driven me down the corridor on that first day I wouldn’t have known about the cabinet at the very end of the room, and so I ask.

„Yes, says Felix, I can show you at least one of the books, I only need to get the key.

The Fuchs Book

These treasures are stored in grey plastic boxes, and carefully wrapped in transparent foil. The book I am allowed to look at is one of the very few (maybe 50 worldwide) copies of Leonhard Fuchs, one of the „fathers“ of botanics, printed around 1542.
The index indicates the plant names in latin but also with their common German names. The drawings were first printed in their outlines and afterwards coloured by hand. I am stunned and feel an overwhelming gratitude for the existence of these botanists, maybe of botanists in general. And, of course, for the people that helped to manufacture books like this, woodcutters, painters, printers. Fuchs himself acknowledges their input by the inclusion of their portraits. Else? Look for yourself! And thank you, Señor Alonso!

 

After the talks a quick picture

 

As I leave the offices of the library, the Botanic garden sparkles in sunlight. Despite the still-too-low temperatures the plant make every effort to spring into leaf and flower… while the gardeners are working hard to prepare more beds.

Almond tree bonsai at the entrance of the library

 

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